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Projects
GD 70 GD 71 GD 72 GD 73 GD 74 GD 75 GD 76 GD 77 GD 78 GD 79 GD 80 GD 81
GD 82 GD 83 GD 84 GD 85 JGB 72 JG Pre-72 JGB 73 JGB 74 JGB 75 JGB 76 JGB 77 JGB 78
JGB 79 JGB 80 JGB 81 JGB 82 JGB 83 JGB 84 JGB 85 JGB 86 JGB 87 JGB 88 JGB 89 JGB 90 JGB 91
JGB 92 JGB 93 JGB 94 JGB 95 Phish 93 Joes Project WSP 96 MD 46-59 MD 60-69 MD 70-79 MD 80-91 The Other Ones

GD 84
LossLess Legs GD 1984 Project Forum Etree Grateful Dead 1984 SHN List
Project Coordinators - quimbo PM
SteveSwSteveSwSteveSwSteveSwnormSteveSwSteveSwspaceboySteveSwnormSteveSwSteveSwSteveSwMarc11SteveSwnormSteveSwSteveSwSteveSwnormSteveSwSteveSwSteveSwspaceboynorm
Date Shn ID Source Seed Date Status Other
Seeders
00/00/84 16613 demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans 07/07/08 bumped
03/28/84 16665 unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only LMA
03/28/84 27303 (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut LMA
03/28/84 28296 2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut LMA
03/29/84 10559 Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation 07/07/08 seeded
03/29/84 29645 flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program LMA
03/29/84 32515 flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller 07/08/08 bumped
03/31/84 2576 SBD; via Mike Lai; upgrade in circulation 07/07/08 seeded
03/31/84 14078 Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation 07/09/08 seeded
03/31/84 29916 flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT LMA
03/31/84 32516 flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller 07/09/08 bumped
03/31/84 79468 flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G LMA
04/01/84 7366 Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation 07/10/08 seeded
04/01/84 9064 Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation
04/01/84 30828 flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression. LMA
04/01/84 32535 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/10/08 bumped
04/01/84 32797 flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk LMA
04/01/84 79458 flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G LMA
04/06/84 10159 SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy 07/11/08 bumped
04/06/84 77310 flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro LMA
04/07/84 13816 sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd 07/11/08 bumped
04/13/84 1521 Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs LMA
04/13/84 2337 senn441> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed
04/13/84 21130 Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN LMA
04/13/84 27733 flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller 07/12/08 bumped
04/13/84 34469 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs LMA
04/13/84 90470 flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller LMA
04/14/84 1562 Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here) LMA
04/14/84 1869 senn441> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed
04/14/84 12572 3 Nak 701s > MX-100(modified) > D5 > D10 > SHN (track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify) LMA
04/14/84 32501 flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller 07/12/08 bumped
04/14/84 34555 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs > mkwAC > SHN LMA
04/14/84 34901 flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner LMA
04/14/84 79652 flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006. LMA
04/14/84 90595 flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller LMA
04/16/84 1298 Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd LMA
04/16/84 32884 flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner. LMA
04/16/84 35408 flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli LMA
04/17/84 8460 FOB Nak 300>?>CDR; Seeded to etree by JT James LMA
04/17/84 17891 Source: Neumann U-87s > ? > D6 > DAT > CD > SHN via furthernet by jlnugent
04/17/84 28762 2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN LMA
04/17/84 32708 flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner. LMA
04/17/84 79556 flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460 LMA
04/17/84 79670 flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford LMA
04/17/84 86942 flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC LMA
04/17/84 90543 flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller LMA
04/19/84 14013 AUD>MC>CD; via Paul B; Seeded to etree by Willy LMA
04/19/84 19598 Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation 07/14/08 bumped
04/19/84 27892 flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller 07/14/08 bumped
04/19/84 34680 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck LMA
04/20/84 2338 nak300> cassette master> cd wav> cool edit pro> shn; transfer by Mike Lai from Bruce Fried seed
04/20/84 4769 DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA>SHN LMA
04/20/84 7854 Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman LMA
04/20/84 11873 Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation 07/15/08 seeded
04/20/84 27775 flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.) 07/15/08 bumped
04/21/84 349 via D. Barrick; no source info given, but a fine version from Neumann U87 cardoids spaced 30' in the 17th row does circulate in CD (not 100% sure if this it)- thanks to M. Crichley for clue
04/21/84 1758 Neumann U-87 mics > Technics SV-100 PCM > DAT > CDR> EAC > SHN; via PJ to abgd
04/21/84 10035 Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
04/21/84 18253 Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki LMA
04/21/84 34682 Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck LMA
04/23/84 14563 Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy LMA
04/23/84 14949 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation 07/16/08 bumped
04/23/84 31147 flac16; First Set - Soundboard (unknown lineage) Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH (to verify SBE-OK & make checksums) > CD-Wave (for Track-ID's) > FLAC Frontend (for lossless compression); upgrade in circulation 07/16/08 seeded
04/23/84 32240 flac16; SBD -> Master Cassette -> Reel -> Dat -> CD Transferred and Edited by Charlie Miller; upgrade in circulation 07/17/08 bumped
04/23/84 32536 flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's 07/17/08 bumped
04/24/84 14564 Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy LMA
04/24/84 32537 flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation 07/18/08 seeded
04/24/84 32620 flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes 07/18/08 bumped
04/24/84 92518 flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F. 07/19/08 bumped
04/26/84 2339 nak300> cassette master> cool edit pro> cdr; transfer by Mike Lai from Bruce Fried seed
04/26/84 4770 Master Soundboard Cassette > Cassette > DAT > CDR 07/19/08 bumped
04/26/84 78773 flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006. LMA
04/26/84 91432 flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 07/21/08 bumped
04/26/84 91809 MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here 07/21/08 bumped
04/26/84 92297 flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source 07/01/08 seeded hseamons
04/26/84 92429 flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. LMA
04/27/84 2340 senn441> cassette master> cool edit pro> cdr; transfer by Mike Lai from Bruce Fried seed; d2 tracked for 80 min
04/27/84 3158 mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ 07/22/08 seeded
04/27/84 32619 flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner. LMA
04/29/84 15390 (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller LMA
04/29/84 91146 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Recorded By Rick Pauline 07/23/08 bumped
04/30/84 5302 aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell LMA
04/30/84 34687 flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) LMA
04/30/84 91165 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller LMA
05/06/84 2572 set 1; SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
05/06/84 18638 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation 07/23/08 seeded
05/06/84 29302 flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only LMA
05/06/84 77302 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/23/08 bumped
05/07/84 350 SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation 07/10/08 seeded
05/07/84 1618 sbd> PCM> D> CD; via Mike Lai; only first disc was seeded intially since d2 was not extractable; fresh d2 added 12/3/00; upgrade in circulation
05/07/84 77303 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/25/08 bumped
05/07/84 88850 flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation 07/25/08 bumped
05/08/84 2573 SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation 07/26/08 seeded
05/08/84 12521 Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
05/08/84 29304 flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression. LMA
05/08/84 77312 flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/26/08 bumped
06/09/84 14565 AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy LMA
06/09/84 14950 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation 07/28/08 seeded
06/09/84 18251 SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation 07/28/08 seeded
06/09/84 77322 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/29/08 bumped
06/10/84 10163 SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation 07/29/08 seeded norm
06/10/84 32366 FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC LMA
06/10/84 77323 flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 07/30/08 bumped
06/12/84 78162 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci LMA
06/13/84 11263 SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L 07/30/08 bumped
06/13/84 78363 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S LMA
06/14/84 351 AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes LMA
06/14/84 18804 SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko 07/31/08 bumped
06/14/84 78371 flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. LMA
06/21/84 352 "liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments 08/10/08 seeded OCD
06/21/84 1615 sdb> pcm> dat> cdr; via Mike Lai; note missing Dupree's- also The Wheel?
06/21/84 15405 FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame 07/31/08 bumped
06/21/84 32640 flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman. LMA
06/21/84 90982 flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke LMA
06/21/84 91024 flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke LMA
06/23/84 14566 AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy LMA
06/23/84 14603 Taper: Phil Unger Recording Info: Sen441>Sony D5 CD Transfer Info: Denon D-790R> Audiophile 2496> Cool Edit 2000> Wav> SHN Tracked with Cd Wave.
06/23/84 14951 Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller LMA
06/23/84 18226 Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches LMA
06/23/84 81280 flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 LMA
06/23/84 81548 flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke LMA
06/24/84 4628 Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) LMA
06/24/84 4858 Set 2; SBD>MC>DAT>CDR>EAC>SHN; upgrade in circulation
06/24/84 27449 flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller 08/01/08 bumped
06/24/84 81627 flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 LMA
06/24/84 81707 flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 LMA
06/24/84 89559 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller. LMA
06/26/84 7293 AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon LMA
06/26/84 20324 Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation 08/01/08 bumped
06/26/84 77449 Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006 LMA
06/26/84 81495 flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck LMA
06/26/84 81741 flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 LMA
06/26/84 81975 flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke LMA
06/26/84 87511 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
06/26/84 87625 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511) 08/02/08 bumped
06/26/84 91181 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
06/27/84 4615 SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation 08/02/08 seeded
06/27/84 6999 Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones LMA
06/27/84 12929 SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation 08/02/08 bumped
06/27/84 81509 flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck LMA
06/27/84 82420 flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 LMA
06/27/84 82450 flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 LMA
06/27/84 87467 flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation deprecated
06/27/84 87658 flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467 08/04/08 bumped
06/27/84 91375 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
06/29/84 14682 Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy LMA
06/29/84 32781 **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 08/04/08 bumped
06/30/84 2542 set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? 08/02/08 seeded
06/30/84 18559 FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. bumped
06/30/84 23063 deprecated from db deprecated
06/30/84 31225 flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression LMA
07/01/84 14683 AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy LMA
07/01/84 25810 Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB LMA
07/01/84 76620 flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F LMA
07/03/84 14909 AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy LMA
07/03/84 25811 Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber LMA
07/03/84 31634 flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby LMA
07/03/84 77440 flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 LMA
07/04/84 14194 AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman LMA
07/04/84 27761 SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley 08/05/08 bumped
07/04/84 27862 noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley 08/05/08 seeded
07/04/84 78958 flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S LMA
07/04/84 87341 flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. LMA
07/04/84 93858 SBD -> Master Cassette -> Cassette -> Dat (48k) 08/06/08 seeded SteveSw
07/06/84 13898 Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd LMA
07/06/84 86943 flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. LMA
07/07/84 4861 Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) LMA
07/07/84 18752 SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches 08/06/08 bumped
07/07/84 91489 flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. LMA
07/13/84 353 SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" 08/06/08 bumped
07/13/84 31989 flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC LMA
07/13/84 90464 flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353 08/07/08 bumped
07/14/84 354 SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation 08/06/08 seeded
07/14/84 25316 Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation 08/07/08 bumped
07/14/84 32093 flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk LMA
07/14/84 77326 flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 08/08/08 bumped
07/15/84 355 SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation 08/08/08 seeded OCD
07/15/84 18555 Source: SBD > ? > DAT > CDR > EAC > CDWave > mkwACT EAC'd/Retracked/SHN'd by Doug Nawrocki; upgrade in circulation
07/15/84 30641 flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller 08/09/08 bumped
07/15/84 32295 flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006 LMA
07/21/84 1616 Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation 08/10/08 seeded OCD
07/21/84 14329 Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation 08/09/08 seeded OCD
07/21/84 77327 flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 08/11/08 bumped
07/21/84 88940 flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale LMA
07/22/84 5896 sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation 08/11/08 bumped OCD
07/22/84 5959 SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation 08/10/08 seeded OCD
07/22/84 26721 flac16; patch version of the previous source, SBD> MR> DAT's> WAV> SHN> WAV> CEP 2.0> WAV> FLAC Frontend> FLAC, with patch from a previous SBD> PCM> Dat> CD source; transfer by Popi N. Feeldz from Michael Grossman's DAT; subsequent editing by Alex Ford; upgrade in circulation
07/22/84 30650 flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller 08/12/08 bumped
07/22/84 87037 flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC LMA
10/05/84 2591 updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream 08/12/08 bumped
10/05/84 15528 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT LMA
10/05/84 77703 flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 LMA
10/05/84 83161 flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2); Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard; Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracked, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8; Taper: Greg Holtz (garageboy); Transfer/mastering: mtownshend@adelphia.net (note: Errors occurred during the encoding process this file set should not be circulated; ; upgrade in circulation) deprecated
10/05/84 83188 flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 LMA
10/05/84 87757 flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station LMA
10/06/84 3160 AUD?; no other info available LMA
10/06/84 15573 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT LMA
10/06/84 32898 Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation LMA
10/06/84 33955 This is a re-record of shnid 32898 using azimuth adjustment and Audacity. LMA
10/06/84 77750 flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 LMA
10/06/84 87015 flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend LMA
10/06/84 91173 flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.) LMA
10/06/84 92383 flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8 LMA
10/08/84 7548 Recorded by Mike Rice; Nakamichi CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; Digitized using HHB 850 CD-R; via Art Cohen to BUDD offer; [need md5s">; upgrade in circulation
10/08/84 7773 Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy LMA
10/08/84 14450 SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley 08/13/08 bumped
10/08/84 77834 flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 LMA
10/08/84 91376 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
10/09/84 7549 Recorded by Mike Rice; Nakamichi CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; Digitized using HHB 850 CD-R; via Art Cohen to BUDD offer
10/09/84 7774 Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy LMA
10/09/84 14499 SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley 08/13/08 bumped
10/09/84 77880 flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700 LMA
10/09/84 81386 flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F LMA
10/09/84 91410 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
10/11/84 1870 nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed
10/11/84 5304 AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano? LMA
10/11/84 8794 Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation LMA
10/11/84 17411 Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton LMA
10/11/84 33825 Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8). LMA
10/11/84 77916 flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 LMA
10/12/84 356 MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes LMA
10/12/84 5585 Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details 08/14/08 bumped
10/12/84 8795 Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation LMA
10/12/84 17412 Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation LMA
10/12/84 18436 Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN LMA
10/12/84 20022 Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca LMA
10/12/84 30192 flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) LMA
10/12/84 77979 flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S. LMA
10/12/84 85219 flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper LMA
10/14/84 3592 FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes LMA
10/14/84 77477 fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson LMA
10/14/84 77990 flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 LMA
10/14/84 78934 flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006. LMA
10/14/84 91385 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
10/15/84 4771 Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson LMA
10/15/84 22022 Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller LMA
10/15/84 79023 flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16 LMA
10/15/84 91434 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
10/17/84 15125 AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy LMA
10/17/84 21783 Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation 08/14/08 seeded OCD
10/17/84 27975 flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford LMA
10/17/84 32057 flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC 08/15/08 bumped
10/17/84 78015 flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 LMA
10/18/84 2342 SBD; transfer by Mike Lai from Bruce Fried seed
10/18/84 17273 (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller LMA
10/18/84 21131 3 Nak 701s > D5 > MX-100 > D10 > SHN LMA
10/18/84 28290 flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford LMA
10/18/84 78116 flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci LMA
10/18/84 87016 flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend LMA
10/18/84 91464 flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller LMA
10/20/84 1871 nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation LMA
10/20/84 13304 aud>>nak300>>cassette master>>cd wav>>cool edit pro>>shn>>cdr Clean up of previous Mike Lai seed (by C. Perkins); See info file for details
10/20/84 15673 SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs 08/15/08 bumped
10/20/84 33341 flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter LMA
10/27/84 17414 Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon LMA
10/28/84 17358 Source: Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR. Encoding by Willy Munder and Matt Vernon LMA
10/28/84 21935 Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. 08/16/08 bumped
10/28/84 29080 flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005. LMA
10/28/84 88181 flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac LMA
10/30/84 17415 Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon LMA
10/30/84 22256 Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) 08/16/08 bumped
10/31/84 2343 senn441> cassette master> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
10/31/84 14947 Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details LMA
11/02/84 6669 Aud > Mc > Dat > Cdr > Eac > Shn; via Katy
11/02/84 9382 Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation
11/02/84 9753 Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation 08/18/08 bumped OCD
11/02/84 10172 Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor 08/18/08 bumped
11/02/84 77878 flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) LMA
11/03/84 8212 SBD> MC> DAT> CD; Seeded to etree by Peter Braverman 08/19/08 bumped OCD
11/03/84 18111 AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon LMA
11/03/84 21761 MSP > D > CD patched with MAC > C > C > D EAC and SHN conversion by John Mollman from Jim Powell's seed 08/19/08 seeded
11/03/84 78704 flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 LMA
12/28/84 16584 Audience cassette > ? > DAT > CDR > SHN LMA
12/28/84 80953 flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. LMA
12/29/84 12926 AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek LMA
12/29/84 24294 Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN LMA
12/29/84 81758 flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 LMA
12/29/84 87705 Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN) LMA
12/31/84 2344 SDB> MR>>PCM> DAT> CDR, with possible cass gen in lineage; transfer by Mike Lai from Bruce Fried seed
12/31/84 6395 SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden 08/20/08 seeded OCD
12/31/84 32347 flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC 08/20/08 bumped
12/31/84 82046 flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. LMA
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