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LL Base - Source Details
SHNID / Date:87526      1975-05-21
Source Summary:Legion of Mary:
       LOM; <B>flac16</B>; DTS Audio 5.1; SBD (shn id 4479) SBD > 15ips reel > 15ips reel > DAT + AUD (shn id 87086) Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC by Bob Menke - dts mixing by Kevin Tobin
Details:etree   etree-md5   etree-txt   etree-cmt   ll   torrent   0   0   308   bt   jerrysite
Source Information:Legion Of Mary
Keystone
Berkeley, CA
05/21/1975 - Wednesday

DTS-Audio-CD 5.1 Mix

Sources:
-- SBD
Lineage: SBD > 15ips reel > 15ips reel > DAT
Transfer 1: DAT > Sony R500 > Genesis Digital Lens > Fostex CR200 > CD
Transfer 2: CD > EAC > WAV > SHN
-- Audience FOB Recording
Media: Maxell UD90
Lineage: Sony ECM-270 and ECM-250 Blended [Positioned Onstage] > Sony TC-152 > MAC
Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV
Taper: Bob Menke and Louis Falanga
Transfer: Bob Menke
Mastering: Jamie Waddell


Set 1:
d1t01 - That's The Touch I Like
d1t02 - I Feel Like Dynamite
d1t03 - Last Train From Poor Valley
d1t04 - Finders Keepers
d1t05 - Tough Mama
d1t06 - That's What Love Will Make You Do

Set 2:
d2t01 - I'll Take A Melody
d2t02 - You Can Leave Your Hat On
d2t03 - Mississippi Moon
d3t01 - Harder They Come
d3t02 - Creepin'
d3t03 - How Sweet It Is (To Be Loved By You)

Comments: How Sweet It Is (To Be Loved By You) is cut on the master reel.
Recordings: SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>
Fostex CR200>CD>WAV(EAC)>SHN

note: Disc 2 Track #5 was originally labeled Jam #8, but according to
www.thejerrysite.com this is in fact Creepin', an instrumental version
of Stevie Wonder's version which appears on his 1974 album
"Fulfillingness' First Finale". tsl@volition.org

patched with Bob Menke/Louis Falanga's MAC just released by MOTB (shnid=87086)

---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 02-OCT-2007
---------------------------------------------------------
NOTE: Do the clarity and location of Bob Menke's audience recording - I decided that it was better to keep the audience at its original level ... this gives the illusion that you are sitting on the stage with monitors to the left and right as the PA goes over your head. The great thing about dts ... if you don't like the balance, you can set the rear speaker volume till you find nirvena. I will honestly say, in the 6 years I have worked on both videos and matrix/dts audio - this is by far one of the best audience recordings I have ever had the pleasure to play with. Please thank Bob for making it available and say a quick prayer for his mom to stay here with us.

NOTE 2: Unlike the original audience where the 2nd disk was just a shade over 80 minutes, the length of the 2nd set was 81 minutes and 11 seconds. This is why I broke it down into 3 disks vice how MOTB did the audience. I also matched the speed of this recording to the MAC - it was slightly faster overall (about 1/2 a second per minute) and more consistent than the sbd recording.

Audio Patches:
1) Between The Touch I Like and I Feel Like Dynamite, 48.033 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

2) Aprox 4 minutes into I Feel Like Dynamite, 19.564 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

3) Between I Feel Like Dynamite and Last Train From Poor Valley, 27.500 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

4) Between I Feel Like Dynamite and Last Train From Poor Valley, another 35.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better. Note: This includes the first few notes of Last Train From Poor Valley.

5) Aprox 7 minutes into Last Train From Poor Vallery, 21.273 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

6) Between Last Train From Poor Valley and Finders Keepers, 33.900 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

7) Between Finders Keepers and Tough Mama, 12.007 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

8) Aprox 7 minutes into That's What Love Will Make You Do, 36.803 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

9) At the end of That's What Love Will Make You Do, 11.116 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

10) Before I'll Take A Melody, 17.000 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

11) Between I'll Take A Melody and You Can Leave Your Hat On, 21.423 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

12) Aprox 4 minutes into You Can Leave Your Hat On, 22.372 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

13) Between You Can Leave Your Hat On and Mississippi Moon, 18.883 seconds were missing from the Audience recording and were filled in from the Soundboard recording. Missing audio was normalized to fit better.

14) Aprox 4 minutes into Mississippi Moon, 24.773 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

15) Between Mississippi Moon and Harder They Come, 16.966 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

16) Between Mississippi Moon and Harder They Come, another 1.593 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

17) Aprox 8 minutes into Harder They Come, 02.139 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

18) Aprox 11 minutes into Harder They Come, 20.807 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

19) Between Harder They Come and Creepin', 18.339 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

20) Aprox 4 minutes into Creepin', 22.035 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

21) Between Creepin' and How Sweet It Is (To Be Loved By You), 15.893 seconds were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

22) Aprox 3 minutes into How Sweet It Is (To Be Loved By You), 5 minutes and 36.666 were missing from the Soundboard recording and were filled in from the Audience recording. Missing audio was normalized to fit better.

---------------------------------------------------------------------------
DTS-Audio-CD Info

Front
Left Channel SBD -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

length expanded size cdr WAVE problems filename
12:33.60 132970364 --- -- ----- lom75-05-21d1t01.wav
14:30.69 153630332 --- -- ----- lom75-05-21d1t02.wav
11:44.09 124206812 --- -- ----- lom75-05-21d1t03.wav
13:17.48 140703740 --- -- ----- lom75-05-21d1t04.wav
9:46.07 103386908 --- -- ----- lom75-05-21d1t05.wav
12:21.39 130804172 --- -- ----- lom75-05-21d1t06.wav
74:14.07 785702328 B (totals for 6 files, 1.0000 overall compression ratio)
length expanded size cdr WAVE problems filename
10:26.65 110579324 --- -- ----- lom75-05-21d2t01.wav
17:09.23 181569740 --- -- ----- lom75-05-21d2t02.wav
9:30.70 100712684 --- -- ----- lom75-05-21d2t03.wav
21:36.19 228659132 --- -- ----- lom75-05-21d3t01.wav
14:04.35 148963964 --- -- ----- lom75-05-21d3t02.wav
8:23.57 88863308 --- -- ----- lom75-05-21d3t03.wav
81:11.44 859348152 B (totals for 6 files, 1.0000 overall compression ratio)


Comments


GratefulLaz
06/05/13
03:00:02
Can someone reseed or trade me for this show. Please
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